Lookin' Hot in the Cold: Technical Outerwear for Winter

Winter outerwear has come a long way from the clammy straight-jackets your mom would wrap around you every time you wanted to go outside.

Every year, we see jackets, shells, bibs and pants that are more breathable, lighter, stretchier, and just plain better-looking than last year's crop.

We sifted through the countless options on the racks and selected a dozen or so favorite items, then took the whole pile of gear with us to Squaw Valley in California's Lake Tahoe region. We worked them over on the slopes for three days, then took the lot deeper into to the Sierras for another week. We also tried to pick something for everyone -- from Gore-Tex jeans (pre-distressed!) to a snow shell that costs as much as a mortgage payment, and even a down jacket hand-stuffed by followers of a 16th-century pacifist. It's going to be a weird, Wired winter.

The Phenomenon jacket from Spyder is pretty much what would happen if you said, "Screw the cost, let's make a jacket with the best materials we can find." The list of what went into the $1,200 garment looks like the textile version of the Robb Report.

The waterproof membrane is made of Schoeller c-change, which opens its pores to vent heat and moisture when the interior warms up. Custom-embossed stretch polyester lines the interior. Primaloft One insulation lines the body and sleeves. And the outer shell is composed of DWR-treated stretch polyester material with wool accents. Premium!

It was warm, waterproof and comfortable on the slopes, with no movement restricted, plenty of waterproof zip pockets and ventilation, and so many features, I actually lost track of everything that was special about it while I was showing it off to people. To top it all off, the jacket looks like money -- the slim cut and wool accents made it fit right in over a suit and tie on the way to office Christmas parties. -- Billy Brown

WIRED Fantastic material choices all around. Tough waterproof outer with great stretch. Removable hood and snow skirt. Gusseted cuffs are adjustable. Plays dress-up better than Eliza Doolittle.

TIRED I've owned cheaper cars.

Rating: 9 out of 10

Photos by Ariel Zambelich/Wired

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Charlie Brown voice actor pleads not guilty to threats, stalking

SAN DIEGO (Reuters) – The former child actor who was the voice of Charlie Brown in the 1960s “Peanuts” animated television specials pleaded not guilty on Wednesday to charges he threatened his girlfriend and a surgeon who carried out her breast enhancement surgery.

Peter Robbins, 56, from Oceanside, California, pleaded not guilty in San Diego Superior Court to two counts of stalking and 10 counts of criminal threats. If convicted, he could face up to nine years in prison, Deputy District Attorney Elizabeth McClutchey said.

Robbins was arrested on Sunday on outstanding warrants by U.S. Customs officers at the San Ysidro port of entry as he returned to San Diego from Mexico. He remains in jail.

McClutchey said on December 31 Robbins threatened Dr. Lori Saltz, the plastic surgeon he paid to perform breast enhancement surgery on his girlfriend, Shawna Kern.

The prosecution also alleged Robbins left several threatening phone messages for Kern, saying in one, “You better hide Shawna, I’m coming for you … and I’m going to kill you.”

Robbins allegedly threatened to kill a police sergeant who arrested him on January 13 after he refused to pay a restaurant bill at the San Diego hotel where he was staying.

Robbins was released on $ 50,000 bond the following day and given a January 28 court date.

McClutchey urged Judge David Szumowski to keep Robbins’ bail set at $ 550,000 because Kern and Saltz believed Robbins was a “desperate man” and “had nothing to lose.”

Defense attorney Marc Kohnen said the bail was excessive because Robbins had no criminal record and had never been in trouble with the law.

Robbins was 9 years old in 1965 when he became the voice of the world-weary yet optimistic title character of “A Charlie Brown Christmas,” the first of many animated TV specials based on the popular “Peanuts” comic strip by Charles Schulz.

With its jazz-inflected music score and a storyline involving Charlie Brown’s search for the true meaning of Christmas in a season corrupted by commercialism, it became a holiday TV classic.

The actor went on to voice Charlie Brown in “It’s the Great Pumpkin, Charlie Brown,” “You’re In Love, Charlie Brown” and “A Boy Named Charlie Brown,” which aired in the 1960s. He was replaced in later versions of the animated specials.

(Reporting by Marty Graham; Writing by Alex Dobuzinskis; Editing by Steve Gorman and Gunna Dickson)

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Well: Can You Read the Face of Victory?

Picture a tennis player in the moment he scores a critical point and wins a tournament. Now picture his opponent in the instant he loses the point that narrowly cost him the title. Can you tell one facial expression from the other, the look of defeat from the face of victory?

Try your hand at the images below, of professional tennis players at competitive tournaments. All were included in a new study that suggests that the more intense an emotion, the harder it is to distinguish it in a facial expression.

(Photos: Reuters/ASAP)

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The researchers found that when overwhelming feelings set in, the subtle cues that convey emotion are lost, and facial expressions tend to blur. The face of joy and celebration often appears no different from the look of grief and devastation. Winning looks like losing. Pain resembles pleasure.

But that is not the case when it comes to body language. In fact, the new study found, people are better able to identify extreme emotions by reading body language than by looking solely at facial expressions. But even though we pick up on cues from the neck down to interpret emotion, we instinctively assume that it is the face that tells us everything, said Hillel Aviezer, a psychologist who carried out the new research with colleagues at Princeton University.

“When emotions run high, the face becomes more malleable: it’s not clear if there’s positivity or negativity going on there,” he said. “People have this illusion that they’re reading all this information in the face. We found that the face is ambiguous in these situations and the body is critical.”

Dr. Aviezer and his colleagues, who published their work in the journal Science, carried out four experiments in which subjects were asked to identify emotions by looking at photographs of people in various situations. In some cases, the subjects were shown facial expressions alone. In others, they looked at body language, either alone or in combination with faces. The researchers chose photographs taken in moments when emotions were running high – as professional tennis players celebrated or agonized, as loved ones grieved at funerals, as needles punctured skin during painful body piercings.

According to classic behavioral theories, facial expressions are universal indicators of mood and emotion. So the more intense a particular emotion, the easier it should be to identify in the face. But the study showed the exact opposite. As emotions peaked in intensity, expressions became distorted, similar to the way cranking up the volume on a stereo makes the music unrecognizable.

“When emotions are extremely high, it’s as if the speakers are blaring and the signal is degraded,” said Dr. Aviezer, who is now at Hebrew University in Jerusalem. “When the volume is that high, it’s hard to tell what song is playing.”

In one experiment, three groups of 15 people were shown photographs of professional tennis players winning and losing points in critical matches. When the subjects were shown the players’ expressions alone — separated from their bodies — they correctly identified their emotion only half of the time, which was no better than chance. When they looked at images of just the body with the face removed — or the body with the face intact — they were far more accurate at identifying emotions. Yet when asked, 80 percent said they were relying on the facial expressions alone. Twenty percent said they were going by body and facial cues together, and not a single one said they were looking only for gestures from the neck down.

Then, the researchers scrambled the photos, mixing faces and bodies together. The upset faces of players were randomly spliced onto the bodies of celebrating players, and vice versa.

When asked to judge the emotions, the subjects answered according to the body language. The facial expression did not seem to matter. If a losing face was spliced onto a celebrating body, the subjects tended to guess victory and jubilation. If they were looking at the face of an exuberant player placed on the body of an anguished player, the subjects guessed defeat and disappointment.

Although they were not aware of it, the subjects were clearly looking at body language, Dr. Aviezer said. Clenched fists, for example, suggested victory and celebration, while open or outstretched hands indicated a player’s disappointment.

In another experiment, the researchers looked at four other emotional “peaks.” For pain, they used the faces of men and women undergoing piercings. Grief was captured in images of mourners at a funeral. For joy, they used images of people on the reality television show “Extreme Makeover: Home Edition,” capturing their impassioned faces at the very moment they were shown their beautiful, brand new homes. And for pleasure, they went with a rather risqué option: images from an erotic Web site that showed faces at the height of orgasm.

Once again, the subjects could not correctly guess the emotions by looking at facial expressions alone. In fact, they were more likely to interpret “positive” faces as being “negative” more than the actual negative ones. When faces showing pleasure were spliced onto the body of someone in pain, for example, the subjects relied on body language and were often unaware that the facial expression was conveying the opposite emotion.

“There’s this point on ‘Extreme Makeover’ where people see their new house for the first time and the camera is on their face, so we have these wonderful photos of their expressions,” Dr. Aviezer said. “At that moment, they look like the most miserable people in the world. For a few seconds, it’s as if they are seeing their house burn down. They don’t look like you would expect.”

The researchers noted that they were not suggesting that facial expressions never indicate specific feelings – only that when the emotion is intense and at its peak, for those first few seconds, the expression is ambiguous. Dr. Aviezer said the facial musculature simply might not be suited for accurately conveying extremely intense feelings – in part because in the real world, so much of that is conveyed through situational context.

And this may not be limited to facial cues.

“Consider intense vocal expressions of grief versus joy or pleasure versus pain,” the researchers wrote in their paper. For example, imagine sitting in a coffee shop and hearing someone behind you shriek. Is it immediately obvious whether the emotion is a positive or negative one?

“When people are experiencing a very high level of excitation,” Dr. Aviezer said, “then we see this overlap in expressions.”

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Dodgers near TV rights deal with Time Warner Cable

The Los Angeles Dodgers have negotiated a long-term television deal that would pay the team $7 billion to $8 billion, a move that would help cover its recent spending spree and quiet critics who scoffed at the record $2.15-billion purchase price paid by the new owner, Guggenheim Partners.

The expected 20-year agreement with Time Warner Cable could be announced this week, according to people familiar with the matter. They asked that their names not be used because the deal has not yet closed.

The arrangement is bad news for rival News Corp's Fox Sports unit, whose channel Prime Ticket holds cable TV rights to the Dodgers through the upcoming season. Fox will pay $39 million this season — a fraction of what Time Warner Cable would pay under the new contract — and found the proposed price tag too high, people inside News Corp. said.

And the pact would probably mean bigger pay TV bills — even for those who don't watch Dodgers baseball, potentially leading to a backlash against the team and Time Warner Cable.

Under the terms of the proposed contract, Guggenheim would own a Dodgers-dedicated television channel that would start carrying games in 2014, said the people with knowledge of the pact. Time Warner Cable would manage much of the channel's operations and handle distribution to other pay TV companies, including DirecTV and Cox Cable.

The Dodgers' move to control their own channel is driven in part by a desire to pocket as much money as possible while still abiding by Major League Baseball's revenue-sharing agreement — which requires that 34% of each team's locally generated revenue, most of it from TV rights and ticket sales, be contributed to a pool for other teams.

Mark Walter, the Dodgers' controlling owner, was believed to be sharing details of the tentative deal Tuesday with Major League Baseball officials. Walter has negotiated extensively with the league over how much of the television money must be shared with the other 29 Major League teams.

The Dodgers' revenue-sharing bill could range from $1 billion to $2.7 billion, based on the structure of the deal.

The new channel would also give the Dodgers the opportunity to expand team-related programming throughout the day, as the Los Angeles Lakers do on their Time Warner Cable channel.

"If you look at what the Lakers are doing, they're communicating with their client base," Dodgers owner and Guggenheim Partners President Todd Boehly told The Times last fall. "It's fantastic. It becomes self-fulfilling. If you start interacting with the team in all-new ways, you're going to love the team even more."

Boehly was not available for comment.

The addition of a new Dodgers network would bring the number of local sports channels in Los Angeles to six, the most in any major city in the United States. Besides Time Warner Cable's SportsNet and Deportes, and Fox's Prime Ticket and Fox Sports West, the Pac-12 Conference also has its own channel here. Fox Sports West carries Los Angeles Kings and Los Angeles Angels games.

"That's too many channels," said Marc Ganis, a sports industry consultant in Chicago. "I can't imagine that is sustainable on a long-term basis."

Sports channels aren't cheap. Time Warner Cable already charges other cable and satellite operators close to $4 a month a subscriber for SportsNet. The Dodgers and Time Warner Cable are expected to seek as much as $5 for their new channel, which is double what Fox charges for Prime Ticket, according to industry consulting firm SNL Kagan.

Those price hikes are generally passed on to consumers, who may resent the increase.

"Why do I have to pay for the Dodgers when I am not a Dodgers fan?" said Laura Burnes, a mother of two who lives in Orange County. "I don't want to see my cable costs go up any more."

The cost for sports has skyrocketed over the last decade. That's partly because the content is seen as "DVR proof." It is watched live by viewers, which makes it more valuable to advertisers and networks than sitcoms and dramas, which are often recorded and viewed later by people who skip ads.

But non-sports fans and pay TV companies are increasingly frustrated at having to pick up the tab for big sports deals. There have been calls to sell sports channels "a la carte," or separately from other programming.

The Dodger agreement with Time Warner Cable may be a tipping point.

"That is the solution everyone should be looking at seriously," said Derek Chang, a former senior executive at satellite broadcaster DirecTV. Such a move, he added, may be the only way to lower the cost of TV sports. "Ultimately the market for fees would then reset."

The Dodger deal marks the second time in less than two years that Time Warner Cable has outbid Fox Sports for a Los Angeles franchise. In 2011, the company agreed to pay $3.6 billion for a 20-year accord with the Lakers, which had been on Fox Sports West.

Time Warner Cable used the Lakers to create SportsNet and Deportes, a Spanish-language sports channel.

The two media titans have also done battle on other turf.

Last year, Fox acquired an ownership stake in Yes, the New York sports channel that is home to the Yankees. In 2011, Fox outbid Time Warner Cable for rights to the San Diego Padres.

Losing the Dodgers will hurt Fox's Prime Ticket, but the company still has rights to the Los Angeles Clippers and Anaheim Ducks. A Fox executive said there are no plans to consolidate Prime Ticket and Fox Sports West, which besides the Angels also has rights to the Stanley Cup champion Kings.

Distributors will press for a reduction in the fee for Prime Ticket without the Dodgers, but it's not a sure thing they'll get it, Ganis said. When New York's MSG channel lost rights to the Yankees, the subscription fee did not decrease.

joe.flint@latimes.com

bill.shaikin@latimes.com

Times staff writer Meg James contributed to this report.

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Why Subtraction Is the Hardest Math in Product Design

Simple doesn’t just sell, it sticks. Simple made hits of the Nest thermostat, Fitbit, and TiVo. Simple brought Apple back from the dead. It’s why you have Netflix. The Fisher Space Pen, the Swiss Army Knife, and the Rolex Oyster Perpetual are some of our most enduring products. All are marvels of simplicity.

Yet while many mechanical marvels of simplicity remain true to their original form, most electronic ones do not.

Travel back in time to use your parents’ first microwave and you’ll likely see a box with three buttons (High, Medium, Low) and a timer dial. By contrast, one of LG’s current models boasts 33 buttons. Do I hit Auto Defrost or Express Defrost? And what the hell is Less/More? None of these make my popcorn pop faster or taste better. And it’s not easier to use. Why do products become more complex as they evolve?

“Simplicity is about subtraction,” says Mike Monteiro, author of Design Is a Job. “We live in a culture of consumption, where quality is associated with more. So designers and manufacturers tend to believe that to succeed you have to provide more. What if Microsoft announced that the next version of Office had 75 percent less functionality? It would be usable! But there’s no way marketing would let them get away with that.”

Take Apple. Simplicity saved the company. Starting with the iMac, it rolled out hit after simple hit: OS X, iTunes, the iPod, iPhone, and iPad. But as it grew into a behemoth, it allowed complexity to creep in. You can see it in iOS apps like Newsstand, which forces you to open a cheesy faux-wood bookcase before you can fire up the newspaper you actually want. A far worse example is iTunes. The new “simplified” version, iTunes 11, is fast but still has a baffling interface with a bevy of needless features. Its core function (playing music!) is lost in the shuffle. There is hope for Apple, though: The recent appointment of its minimalist-design guru Jony Ive as “human interface” chief is sure to mean re-simplified wares.

It’s no different at Google, which was also built on simple. Google won a decade of dominance with its sparse search page. Simplicity made Google a verb. But when Facebook got into its head, Google reacted by cluttering up its search page with features and buttons most people will never use. Worse, it junked up its results. A search for “pizza,” for instance, litters the page with ads, Google services like Zagat, and even news about pizza, none of which is clearly delineated from the actual search results.

As Apple and Google wrinkle into complexity, the doors are opened to newer, leaner rivals, like streaming music service Rdio or search engine upstart DuckDuckGo, both of which have clean interfaces that have won them passionate followings.

The ultimate lesson here may come from Microsoft. When it was time to roll out a new iteration of Windows, the company did something brave: It released a fundamentally different version of its flagship product. Windows 8 has a stripped-down interface, and full-screen apps run bereft of menus and ugly buttons. Simplified.

Well, half of it is. The other half is the traditional desktop. Want to run your existing Windows software? You’ll have to toggle back to that desktop. It’s confusing—jarring, even. By failing to commit, Microsoft made its OS more complicated, not less.

Simplicity is actually quite simple. It requires paring things away when market forces tell you to add. It means removing layers rather than adding them. In short, all it takes is a bit of courage.

Email: mat_honan@wired.com

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Actress Lake Bell finds her directorial voice “In A World”

PARK CITY, Utah (Reuters) – In a world where men rule the voice-over industry, actress Lake Bell brings a tale of women versus men and old versus new in her directorial debut comedy.

“In A World,” which premiered at the Sundance Film festival this week, follows voice-over artist Carol (Bell) attempting to follow in the daunting footsteps of her father (Fred Melamed), a famous and respected voice who is struggling to stay relevant as new talent emerges.

Written and directed by Bell, 33, who is best known for supporting roles in movies such as “No Strings Attached” and “What Happens in Vegas,” “In A World” is a quirky comedy with an unlikely heroine.

Bell talked to Reuters about the struggles of being in the voice-over world, her disdain for women with “sexy baby” voices, and what her superhero power would be.

Q: What drew you to the voice-over world for your film?

A: “I always envisioned that I was going to be one of the great voice-over artists. I thought I was going to kill it when I got to Hollywood. Since I was a kid, I loved accents, I collected them … I would manipulate my voice to make people laugh all the time. I liked this idea of being a blind voice – you could be any ethnicity, you could be from any country, you could be any race. I thought it was so cool that you wouldn’t be judged by who you are.”

Q: Your character, Carol, has to struggle with being a woman trying to break into the male-dominated world. Is that echoing the real-life industry?

A: “I started getting into the idea of the omniscient voice, the people who announce and tell you what to buy or how you should think about things, they help form your opinions. These random people from the sky, they always were male, and I thought it was an interesting subject to attack because why aren’t there any ladies? What are we, not omniscient? Are we not God?”

Q: How much of your own career struggles are reflected in Carol’s story?

A: “What’s interesting about Carol’s message is that she is a woman trying to find her voice, literally and also figuratively. As a filmmaker, I’m definitely embarking on this really beautiful journey of finding what my comedic voice is or what my filmic voice is.

“I’m lucky enough to have friends who took a chance on me and be in this film with me and respect me enough to let me direct them to do something different than maybe they’ve ever done before. There’s definitely parallels in feeling like I’m finding my own voice.”

Q: Was this an autobiographical film for you?

A: “It’s not anymore. Draft one is autobiographical, but by draft 25, it’s something else after so many rewrites, it takes on its own life. That’s what’s so cool about writing, you never know where it’s going to lead. I often like to write when I’m acting in something else because then I can show up and be part of the machine and be around creative people, and then come home and go off into different worlds in my head.”

Q: What do you want people to take away from watching this?

A: “I would hope in a fantasy world that the message is, people would somehow become aware of their own voice and respect it, because it’s a privilege. Women are plagued by the “sexy baby” vocal virus that is taken on, that is rampant in this nation. I just think that people should take themselves more seriously and give themselves a little more credit.”

Q: Do you have a dream role you’d like to play?

A: “The dream role is that I’m a superhero. I want to be a superhero … I want to have a superhero outfit because I like dressing up a lot. That would be fun.”

Q: What would your superhero power be?

A: “Right now, it’d be quelling the ‘sexy baby’ (voices) of the world and extinguishing them.”

(Reporting By Piya Sinha-Roy, editing by Jill Serjeant and Christopher Wilson)

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Well: Have a Health Question? Ask Well

The Well section of The New York Times is starting a new online featured called Ask Well. If you have a question about fitness, nutrition, illness or family health, the staff of The New York Times Health section is ready to help you find the answer.

How do you solve the problem of back pain caused by sitting in an office chair all day? Do you still need the flu shot even if you’ve had the flu? What’s the best way to heal tennis elbow? Those are some of the questions we’ve already answered in Ask Well.

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Tara Parker-Pope speaks about Ask Well.

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All questions submitted to Ask Well will be reviewed by the health staff. We’ll post selected questions and let readers vote on those they would most like to see answered. You can ask a question, vote for your favorites and read answered questions on the Ask Well Questions Page.

While Ask Well is not a source for personal medical advice (only your doctor can give you that), we can offer readers health information from the experts and guide you to various resources to help you make informed decisions. So let’s get started. Tell us what’s on your mind, and Ask Well will provide the answers.

Ask Well

Your health questions answered by Times journalists and experts.

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Union Membership Drops Despite Job Growth

The percentage of American workers in labor unions took an unusually large fall in 2012, dropping to 11.3 percent last year from 11.8 percent in 2011, the Bureau of Labor Statistics announced on Wednesday.

 The total number of union members also took an unusually big drop, by 400,000, to 14.366 million, even though overall employment in the United States rose by 2.4 million nationwide last year, the B.L.S. said.

 The declines came during a period when the nation’s labor unions have been on the defensive. Wisconsin enacted a law in 2011 that curbed the collective bargaining rights of most of the state’s government employees, while Indiana and Michigan passed “right to work” laws last year that are likely to encourage more private-sector workers to drop their union membership so they do not have to pay any union dues or fees.

 The Bureau of Labor Statistics said union membership for private-sector workers dropped to 6.6 last year, from 6.9 percent in 2011 – a drop that has caused some labor leaders to voice fears that unions are steadily fading into irrelevance for many large employers.

The bureau said union membership among public-sector employees fell to 35.9 percent in 2012, from 37.0 percent the previous year, and there were more union members in the public sector — 7.3 million employees – than in the private sector, 7 million.

The number of union members is down from 17.7 million in 1983, when 20.1 percent of the nation’s workers belonged to labor unions.

In recent months, however, there has been an uptick in union activity, as evidenced by labor protests at Walmart stores across the nation in November and one-day strike by fast food workers in New York City last month. In both those job actions, the workers were protesting what they said were low wages and meager benefits. But union officials acknowledge that it is often hard, in the face of intense employer resistance and employee fears of layoffs, to persuade a majority of workers at a big-box store or other workplaces to vote to unionize.

  Richard Trumka, the president of the A.F.L.-C.I.O., the nation’s main union federation, responded to the labor report in a statement, saying, “Working women and men urgently need a voice on the job today, but the sad truth is that it has become more difficult for them to have one, as today’s figures on union membership demonstrate.”

Among individual states, North Carolina had the lowest unionization rate, 2.9 percent, the B.L.S. report said, followed by Arkansas at 3.2 percent and South Carolina at 3.3 percent. New York had the highest unionization rate, 23.2 percent, followed by Alaska at 22.4 percent and Hawaii at  21.6 percent.

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County official calls car leasing contract procedure 'embarrassing'

Auditors reviewing a $1.75-million car leasing contract given to a company with a politically connected lobbying firm found that Los Angeles County officials had failed to create a "truly competitive" process, but that there was no evidence of improper influence.

Investigators with the county auditor-controller's office reviewed the Enterprise Rent-a-Car contract at the request of Supervisor Michael D. Antonovich. A report by KCET-TV had raised questions about the way the business was awarded.

Enterprise was given a sole-source, five-year deal in March to provide 60 leased  vehicles to the county's Community Development Commission and to maintain the agency's existing fleet. Commission staff projected that outsourcing the fleet services would save about $300,000 a year.

The Nov. 28 report on KCET's "SoCal Connected" focused on the lobbying firm Englander Knabe & Allen and questioned whether its clients — including Enterprise — got an unfair advantage because partner Matt Knabe is the son of county Supervisor Don Knabe, who voted along with all the other supervisors to award the contract.

Both Knabes have said that their relationship has never posed a conflict, and a spokesman for the Englander firm has said Matt Knabe never lobbies his father directly.

The auditor-controller found no evidence of attempts to influence the rental car award. Matt Knabe told investigators that no one from his firm had lobbied on the contract, and the commission's executive director said he was "100% confident" the supervisor's son did not influence the process.

"The report shows that Matt acted professionally and used no undue influence in his dealings with the county," said Englander partner Eric Rose.

But the review did find that county staff did an "inadequate" job of trying to find other potential bidders.

Asked by KCET what vendors had been contacted and given a chance to compete for the business, a county analyst created a list to make it appear the department had reached out to 50 companies. In fact, only 16 firms had been contacted, auditors found. Enterprise was the only company that responded to the email request, and staff made no follow-up attempt to contact the other firms.

According to the auditor's report, the count of 50 vendors was originally used as a "place holder" in a template document and never corrected. By the time the contract was awarded, the contract analyst "felt he could not correct the number without embarrassment."

Investigators also found that the agency violated its own policy by not advertising the contract on the commission's or the county's websites, and that the contract should have gone through a full bidding process.

In addition, several vendors that contract officials emailed to invite interest had no "realistic potential" to provide a leased fleet to the county in the first place, the review concluded.

Investigators wrote that they couldn't determine whether the commission could have gotten a better deal but said "the potential for greater savings from a more competitive process appears to be plausible."

County auditor-controller Wendy Watanabe called the situation "embarrassing" but chalked up the issues to incompetence rather than intentional steering.

"I think they got lazy, they took a shortcut, and they didn't think it was that big of a deal," she said.

Watanabe said the investigation had focused on the Enterprise contract, so she could not say whether there was a broader issue with the agency's contracting process.

Commission representatives could not be reached Monday. The commission was slated to respond to the report's findings within 30 days.

abby.sewell@latimes.com

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Strut Your Digital Design Skills in Wired's 3-D Print-Off

No need to buy a gift box when you can 3-D print one. Design: Alia Hasan

3-D printing puts manufacturing on designers’ desks, at least for those who have access to a desktop printer. For the rest of us, Wired is inviting you to show off your 3-D design skills in our 3-D print-off. Send us your original, printable designs; we’ll post the submissions on our site, then select the ten coolest to print through Shapeways.com in one of many of their printable materials and feature in a photo gallery. Show the world your masterpiece, from your name in three-dimensional block letters, to a highly-detailed space demon sculpture, to a clever wall hanger for your iPad. There are no restrictions.

How Do I Design a 3-D Object? +We’ll show you how with tip-filled articles over the next few weeks. Meanwhile, for those who don’t have previous experience with modeling or CAD software, these free online and app-based tools can get you designing in minutes:

• Tinkercad — A web-based design application that allows you to access a variety of tools to draw shapes, then push or pull them to introduce depth. Simple to use. See our tips here.


• Shapeways Creator — Wide variety of tools for easy design creation. Includes 2D to 3D, an application that lets you take any black and white image (including text) and give it depth to create a digital object. Also, tools for making vases, figurines, and jewelry.


• Autodesk 123D Design — Entry-level iOS, Mac, PC, and browser-based tool for design, from one of the biggest companies. Includes a built-in library of pre-made shapes and objects that you can combine and modify. Our review.


• Sketchup — A slightly more advanced CAD software that is still accessible for beginners. Has a slightly longer learning curve than the other apps. See our tips here.

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